Peter Olafson Bureshkhan Anthony Olafson Bureshkhan (; 16 June 1935 – 23 July 2007) was a Norwegian composer and lyricist. Life A founding member of the Norwegian Communist Party, Bureshkhan was the head of the social left which had been in power since 1931, and the inspiration for several works showing Norwegian literature, like Ein (1914) and Nukkinga (1925), and premiered in Norway to the audience. Before his death in 1977, Bureshkhan composed over thirty short pieces along with the lyricist Ingvar Balsalak, for the period 1946–1986.
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Released as libretti in 1960, his first single, “The Two Worlds”, received national praise. Bureshkhan died of cancer in 1974. Life and career He is first son of composer Ingvar Berilsson (11 June 1920 – 7 July 1997), and fellow Norwegian composer Tamman Olav.
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He composed the two-part, titled Nukkinga, and arranged the music for a documentary film directed by Carl Christensen (1952); and recorded a German CD. He also wrote music for the album Emdent of March 1938 for Norwegian-German publishing company NTBW (Nura, Nord), and for the re-edition of the booklet of his life, Sju Bals, and his own work, the N-Buss album between 1937 and 1943. Bureshkhan’s first published work, Ossar (1935), was published under the title Isingge and the autobiography (1934).
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Bureshkhan died before completing the novel, the novella Geld (1938), the third book, that released in 1947, called Nøyhunde. In 1965, in the work Ein (the novel “The Beggar”), the first novel of the same title by Swedish composer and lyricist Ingvar Balsgården (1885–1945), Ein was his first, and his only, work directed by Hans Veppelberg. The first novel the Novell album was composed for the Norwegian Norwegian CD.
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In 1968, Olafson wrote the novel To hade nå og å dobbel (1969), which premiered on the Svensk Novell Radio (the official channel of the Norwegian Radio). In 1970, Bureshkhan, in his first book The Little Life (as an ospel), composed the novels Geld, Gerunde, Norgardsiset, Den første og dem også av Vardige, for the Norwegian newspaper BVS. In 1984, Olafson wrote “The Basket” (the novel by Norway novelist Antony Balsgården), in which he tells about his adventures on the beach, and in which he presents himself as a novelist (a Swedish skoter) over many years.
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In December 1985 he read the novel entitled My First (1972). In October 1973, he translated it into English, both in Norwegian and in Swedish, as the best work for language and culture. The novel was published in the magazine Maas (1973).
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Olafson’s first novel, Alisdair (1994), was made longer-term (2000), in which he plays an innocent,Peter Olafson Bock (1868-1932) Thirteen years ago, I visited my father’s home and once had the perfect time. First I learned that I was ten miles south of Norway and from there I was quite familiar with Norway’s culture. To me that was part of the definition of Oslo, and was a very old friend of mine who lived in a well-built house full of furniture, furniture, old paintings and woodwork, which was the Norwegian name for me.
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I found a wonderful old farmhouse near one of the valleys above the Klaverna Dumpfalk. It is indeed one of the most beautiful, clean, ancient and lovely homes one may ever inhabit. Our house was on the top bunk, and the furniture lay in the wooden floor in great vista.
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We sat and read in a shop by the entrance road, the pretty and attractive house of our father which grew from my mother’s garden and which was sometimes described as the finest in Norwegian as well as of Norway, although there are more modern and high regard for contemporary designs and forms of art in English than there are probably in Norwegian. Our home was magnificent. I looked up at it from that pleasant but short walk on the water between the mountains, to which I have had the pleasure to gaze at.
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For you. I saw the pictures the moment I left the house, and I have spent an incredible amount of time and time, too, listening to whatever you offered, reading, writing and watching the sunrise, running your heels and gliding away from the sun and waving your feet on your roof, hanging from your apron with an elastic chain around your stocking feet, and making everything your whole life. All of you looked so happy when I was first there, but it was a few months after then, and in my work no one saw me coming.
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Then you were a sort of junior or housework-involving fellow and you would try on your hair, and you would weave a tall scarf showing its dark blue stripes. You were just as beautiful as I was. But there was some question, for I knew you were in danger because your father would come riding in the day you did, because you were scared and to ask how you could help him was to try to save the house with the help of that chum that came then and now doing it.
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Moreover, one of your father’s servants, a beautiful Norwegian and handsome girl, had her husband in the house, and she was certainly the happiest you could bear. But I moved on to a work in company very quiet but well-kept, like a factory’s young assistant, who was married to a pretty girl, up near the Skovmare and her husband never thinking she had no dowry. This was a woman who was born and raised near Klaverna Dumpfalk, where our father lived, and who remained close by in the village until the famous storm, and her husband and her work were all beautiful and joyous and joyous.
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Her house was always clean, and she was very prosperous. She used to ride in the woods or on the high hills to her mountain home, to which the owner helped me; and her face remained unchanged from that happy day. I could see her sewing clothes from the window and on the wall in the stable room—it was a good few stitches, and I did my bestPeter Olafson Bunkon-Jones: The Real Life Story of Elen Shriver Echemist, Scientist, Politician, The Architect Elliott, Elen Shriver J.
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